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Drei Lieder (Stockhausen) : ウィキペディア英語版 | Drei Lieder (Stockhausen)
''Drei Lieder'' (Three Songs), for alto voice and chamber orchestra, is a song cycle by Karlheinz Stockhausen, written while he was still a conservatory student in 1950. In the composer's catalogue of works, it bears the number 1/10. ==History== When the 21-year-old Stockhausen wrote the ''Drei Lieder'' in two weeks during the summer of 1950, he had no ambition to become a composer. On the contrary, he was approaching the end of his studies in music education at the Cologne Conservatory and, after numerous classroom exercises, wanted merely to try his hand at composing something of substantial proportions. The work was originally titled ''Lieder der Abtrünnung'' (Songs of a Renegade), and set three poems written by the composer himself: "Mitten im Leben" (Midway through Life), "Frei", and "Der Saitenmann". (It is possible that there were originally five songs, but two were later destroyed.) The score is dedicated to Doris Andreae, who later became the composer's wife . Stockhausen submitted the score to the jury for the Darmstädter Ferienkurse, but they rejected it, judging it as "too old-fashioned" and the texts as "too gruesome". In reaction, Stockhausen decided to replace the text of the first song with a German translation of a poem by Charles Baudelaire. When he successfully auditioned for admission to Frank Martin's composition class at the conservatory, it was the ''Drei Lieder'' that he presented, and he also submitted the score as one of two examination papers in his optional subject, composition (the other was the Sonatine for violin and piano). The score remained unperformed for twenty years, until Maurice Fleuret asked him for something to premiere at the SMIP concerts in Paris. Curious to hear what this work of juvenilia sounded like, Stockhausen offered the ''Drei Lieder'', which were performed for the first time, sung by Brigitte Fassbaender, on 21 October 1971 under the composer's baton. Stockhausen conducted further performances in Rome in 1973 and with the Berlin Philharmonic in 1975, and made a recording for the SWR in the same year (; ).
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